Showing posts with label Atlas Sound. Show all posts
Showing posts with label Atlas Sound. Show all posts
Saturday, March 3, 2012
Bradford Cox of Deerhunter and Atlas Sound may not knowingly support MPC, but he wore the hoodie
Taken March 3, 2012 at the Atlas Sound show at The Cedar Cultural Center, Minneapolis.
Propers to Bradford for being a great sport, and also to Thom and his gf Julia for lingering a really long time for people to stop needing my Sharpie / so I could get this Thom-taken pic after obsessively showing him how to use my crappy. cell-phone camera.
Labels:
Atlas Sound,
Live show
Friday, November 27, 2009
Mux022: May 2009, the reissue
Working backward now given that I listened to most of the middle muxes at work the other day. Also: This is a nice reprieve from Arc and good background music for making shot lists.
Stream it, download it, whatever.
1. Metric - Help I'm Alive
2. Japandroids - Wet Hair
3. Rage Against the Machine - Guerrilla Radio
4. Franz Ferdinand - Ulysses
5. The Thermals - When I Died
6. The Sea and Cake - Car Alarm
7. Radiohead - Blow Out (Remix)
8. The Ting Tings - Be The One
9. Atlas Sound - Springtime Instrumental
10. Why? - The Hollows
11. Neko Case - This Tornado Loves You
12. Camera Obscura - French Navy
Stream it, download it, whatever.
1. Metric - Help I'm Alive
2. Japandroids - Wet Hair
3. Rage Against the Machine - Guerrilla Radio
4. Franz Ferdinand - Ulysses
5. The Thermals - When I Died
6. The Sea and Cake - Car Alarm
7. Radiohead - Blow Out (Remix)
8. The Ting Tings - Be The One
9. Atlas Sound - Springtime Instrumental
10. Why? - The Hollows
11. Neko Case - This Tornado Loves You
12. Camera Obscura - French Navy
Sunday, October 18, 2009
Mux038: H1N1'd
Cold symptoms plus fever and unusual aches. Might as well assume I have H1N1. I can trace a path, anyway: my mom through her hairdresser through her son. Though neither my mom nor hairdresser has been symptomatic.
So with this garbage and my all-time-high of daily tea-with-honey consumption (combined with, unsuccessfully, trying to blast the symptoms with megadoses of Special K, bananas, and V8 Fusion), I don't exactly feel like listening to the most high-octane stuff around. Thus, after the starting lineup of some GH 5 tunes (invariably), it slows down a bit.
Download it at drop.io.
1. The White Stripes - Blue Orchid
2. Kaiser Chiefs - Never Miss A Beat
3. The Sword - Maiden, Mother and Crone
4. M83 - Don't Save Us From The Flames
5. Dizzee Rascal - Holiday
6. No Age - Aim At The Airport
7. Panda Bear - I'm Not
8. Los Campesinos! - The Sea Is A Good Place To Think About The Future
9. The Mountain Goats - No Children
10. WHY? - Berkeley By Hearseback
11. Atlas Sound - Quick Canal
Labels:
Atlas Sound,
Dizzee Rascal,
Kaiser Chiefs,
Los Campesinos,
M83,
Mixtapes,
Mountain Goats,
No Age,
Panda Bear,
Sword,
White Stripes,
Why?
Sunday, May 10, 2009
Mux022 / Re-examining The Red Album
Just in time for Mother's Day. And one year after my first mux, when Muxtape used to be worthy of creating muxes. I don't even know what they do now. Not even worth linking. Or checking.
Download the full mix via drop.io. The tracks:
1. Metric - Help, I'm Alive
2. Japandroids - Wet Hair
3. Rage Against The Machine - Guerrilla Radio
4. Franz Ferdinand - Ulysses
5. The Thermals - When I Died
6. The Sea And Cake - Car Alarm
7. Radiohead - Blow Out (Remix)
8. The Ting Tings - Be The One
9. Atlas Sound - Springtime Instrumental
10. Why? - The Hollows
11. Neko Case - This Tornado Loves You
12. Camera Obscura - French Navy
Also, I gave this neglected album an impromptu listen earlier:

Seriously, it's not that bad. Sure, it disappointed all post-Blue Album, post-Pinkerton expectations in which everyone expected it to be as good as The Blue Album or Pinkerton, but there are some good tracks here. And forget all the ridiculous stuff Rivers and the band said about how "The Greatest Man That Ever Lived" was the best thing Weezer has ever recorded.
I listened to it as a reaction to Green Day's 21st Century Breakdown last night, which I think is a resounding Eh at best. I pinned it down pretty easily: even if some songs are catchy power-chord pop-rock, Green Day positions themselves as some saviors of everything, which comes off as condescending, obnoxious, and really pretentious. With regards to the latter, it doesn't help that the over-arcing "opera" is some impenetrable, impossible-to-follow-without-liner-notes narrative.
So here's why, at the root of things, I like the Red Album: it doesn't take too itself seriously. "The Greatest Man That Ever Lived" isn't an unnecessary statement about the state of things; it's a huge, proggy, silly song. "Troublemaker" is fairly innocuous. "Porks and Beans" is downright solid. "Thought I Knew" is the only downright-bad track, mostly considering that a song not sung or written by Rivers, by definition, isn't a Weezer song. The rest are fairly mild on the ears.
I don't recall ever downright-trashing The Red Album, and now there's further reason not to: it's passably good.
Download the full mix via drop.io. The tracks:
1. Metric - Help, I'm Alive
2. Japandroids - Wet Hair
3. Rage Against The Machine - Guerrilla Radio
4. Franz Ferdinand - Ulysses
5. The Thermals - When I Died
6. The Sea And Cake - Car Alarm
7. Radiohead - Blow Out (Remix)
8. The Ting Tings - Be The One
9. Atlas Sound - Springtime Instrumental
10. Why? - The Hollows
11. Neko Case - This Tornado Loves You
12. Camera Obscura - French Navy
Also, I gave this neglected album an impromptu listen earlier:
Seriously, it's not that bad. Sure, it disappointed all post-Blue Album, post-Pinkerton expectations in which everyone expected it to be as good as The Blue Album or Pinkerton, but there are some good tracks here. And forget all the ridiculous stuff Rivers and the band said about how "The Greatest Man That Ever Lived" was the best thing Weezer has ever recorded.
I listened to it as a reaction to Green Day's 21st Century Breakdown last night, which I think is a resounding Eh at best. I pinned it down pretty easily: even if some songs are catchy power-chord pop-rock, Green Day positions themselves as some saviors of everything, which comes off as condescending, obnoxious, and really pretentious. With regards to the latter, it doesn't help that the over-arcing "opera" is some impenetrable, impossible-to-follow-without-liner-notes narrative.
So here's why, at the root of things, I like the Red Album: it doesn't take too itself seriously. "The Greatest Man That Ever Lived" isn't an unnecessary statement about the state of things; it's a huge, proggy, silly song. "Troublemaker" is fairly innocuous. "Porks and Beans" is downright solid. "Thought I Knew" is the only downright-bad track, mostly considering that a song not sung or written by Rivers, by definition, isn't a Weezer song. The rest are fairly mild on the ears.
I don't recall ever downright-trashing The Red Album, and now there's further reason not to: it's passably good.
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