Consider it one of those Back To Rock muxes. Sans the title change.
Subsequent listens of my initially-eh impression of Cloud Nothings' Here And Nowhere Else are reversing. Who knew an album like that could actually be called a grower? But since my new mux rules state that no band can be on two consecutive muxes, I'll likely go through their whole album one track per month and eventually toss it up to the Hall of Fame (where they'd join Japandroids' Post-Nothing and CN's own Attack On Memory). Helps that two advance tracks have already been muxed.
And the Green Day-to-Rage transition? Get outta here.
Boom.
1. Ty Segall Band - Death (Slaughterhouse) (For that guy who got me kicked out of the Ty Segall 7th St. Entry show)
2. The Kinks - You Really Got Me (Kinks)
3. Arctic Monkeys - I Bet You Look Good On The Dancefloor (Whatever People Say I Am, That's What I'm Not) (For Post)
4. Sleater-Kinney - Entertain (The Woods) (For JCD)
5. Cheatahs - The Swan (Cheatahs)
6. Black Lips - Funny (Underneath The Rainbow) (For that cute girl I talked to for three minutes at the BL show)
7. Cloud Nothings - Giving Into Seeing (Here And Nowhere Else)
8. The Sword - Freya (Guitar Hero II / Age of Winters) (For BTS, JLV and all those others who suffered through the hand-cramping GH II chart)
9. Green Day - Brain Stew (Insomniac) (For JMG, because, eh, why not?)
10. Rage Against The Machine - Bulls On Parade (Evil Empire)
11. The Stooges - 1970 (Fun House)
12. Death From Above 1979 - If We Don't Make It We'll Fake It (Heads Up! EP)
TRT 44:18
Rookies: The Kinks
2014 music: Black Lips, Cheatahs, Cloud Nothings
Showing posts with label Rage Against the Machine. Show all posts
Showing posts with label Rage Against the Machine. Show all posts
Friday, April 11, 2014
Friday, November 27, 2009
Mux022: May 2009, the reissue
Working backward now given that I listened to most of the middle muxes at work the other day. Also: This is a nice reprieve from Arc and good background music for making shot lists.
Stream it, download it, whatever.
1. Metric - Help I'm Alive
2. Japandroids - Wet Hair
3. Rage Against the Machine - Guerrilla Radio
4. Franz Ferdinand - Ulysses
5. The Thermals - When I Died
6. The Sea and Cake - Car Alarm
7. Radiohead - Blow Out (Remix)
8. The Ting Tings - Be The One
9. Atlas Sound - Springtime Instrumental
10. Why? - The Hollows
11. Neko Case - This Tornado Loves You
12. Camera Obscura - French Navy
Stream it, download it, whatever.
1. Metric - Help I'm Alive
2. Japandroids - Wet Hair
3. Rage Against the Machine - Guerrilla Radio
4. Franz Ferdinand - Ulysses
5. The Thermals - When I Died
6. The Sea and Cake - Car Alarm
7. Radiohead - Blow Out (Remix)
8. The Ting Tings - Be The One
9. Atlas Sound - Springtime Instrumental
10. Why? - The Hollows
11. Neko Case - This Tornado Loves You
12. Camera Obscura - French Navy
Sunday, May 10, 2009
Mux022 / Re-examining The Red Album
Just in time for Mother's Day. And one year after my first mux, when Muxtape used to be worthy of creating muxes. I don't even know what they do now. Not even worth linking. Or checking.
Download the full mix via drop.io. The tracks:
1. Metric - Help, I'm Alive
2. Japandroids - Wet Hair
3. Rage Against The Machine - Guerrilla Radio
4. Franz Ferdinand - Ulysses
5. The Thermals - When I Died
6. The Sea And Cake - Car Alarm
7. Radiohead - Blow Out (Remix)
8. The Ting Tings - Be The One
9. Atlas Sound - Springtime Instrumental
10. Why? - The Hollows
11. Neko Case - This Tornado Loves You
12. Camera Obscura - French Navy
Also, I gave this neglected album an impromptu listen earlier:

Seriously, it's not that bad. Sure, it disappointed all post-Blue Album, post-Pinkerton expectations in which everyone expected it to be as good as The Blue Album or Pinkerton, but there are some good tracks here. And forget all the ridiculous stuff Rivers and the band said about how "The Greatest Man That Ever Lived" was the best thing Weezer has ever recorded.
I listened to it as a reaction to Green Day's 21st Century Breakdown last night, which I think is a resounding Eh at best. I pinned it down pretty easily: even if some songs are catchy power-chord pop-rock, Green Day positions themselves as some saviors of everything, which comes off as condescending, obnoxious, and really pretentious. With regards to the latter, it doesn't help that the over-arcing "opera" is some impenetrable, impossible-to-follow-without-liner-notes narrative.
So here's why, at the root of things, I like the Red Album: it doesn't take too itself seriously. "The Greatest Man That Ever Lived" isn't an unnecessary statement about the state of things; it's a huge, proggy, silly song. "Troublemaker" is fairly innocuous. "Porks and Beans" is downright solid. "Thought I Knew" is the only downright-bad track, mostly considering that a song not sung or written by Rivers, by definition, isn't a Weezer song. The rest are fairly mild on the ears.
I don't recall ever downright-trashing The Red Album, and now there's further reason not to: it's passably good.
Download the full mix via drop.io. The tracks:
1. Metric - Help, I'm Alive
2. Japandroids - Wet Hair
3. Rage Against The Machine - Guerrilla Radio
4. Franz Ferdinand - Ulysses
5. The Thermals - When I Died
6. The Sea And Cake - Car Alarm
7. Radiohead - Blow Out (Remix)
8. The Ting Tings - Be The One
9. Atlas Sound - Springtime Instrumental
10. Why? - The Hollows
11. Neko Case - This Tornado Loves You
12. Camera Obscura - French Navy
Also, I gave this neglected album an impromptu listen earlier:
Seriously, it's not that bad. Sure, it disappointed all post-Blue Album, post-Pinkerton expectations in which everyone expected it to be as good as The Blue Album or Pinkerton, but there are some good tracks here. And forget all the ridiculous stuff Rivers and the band said about how "The Greatest Man That Ever Lived" was the best thing Weezer has ever recorded.
I listened to it as a reaction to Green Day's 21st Century Breakdown last night, which I think is a resounding Eh at best. I pinned it down pretty easily: even if some songs are catchy power-chord pop-rock, Green Day positions themselves as some saviors of everything, which comes off as condescending, obnoxious, and really pretentious. With regards to the latter, it doesn't help that the over-arcing "opera" is some impenetrable, impossible-to-follow-without-liner-notes narrative.
So here's why, at the root of things, I like the Red Album: it doesn't take too itself seriously. "The Greatest Man That Ever Lived" isn't an unnecessary statement about the state of things; it's a huge, proggy, silly song. "Troublemaker" is fairly innocuous. "Porks and Beans" is downright solid. "Thought I Knew" is the only downright-bad track, mostly considering that a song not sung or written by Rivers, by definition, isn't a Weezer song. The rest are fairly mild on the ears.
I don't recall ever downright-trashing The Red Album, and now there's further reason not to: it's passably good.
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